Shiv Shakti – Tap Tyag Tandav Showcases Pride vs Devotion
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The saga of lord Shiva’s parambhakt Ravan comes alive on COLORS‘ Shiv Shakti – Tap Tyag Tandav with Puneet Issar embodying the role of Dashanan. Fresh off the festive season, as the glow of Dussehra and Diwali, the symbol of triumph of good over evil fades, COLORS ‘Shiv Shakti – Tap Tyag Tandav takes viewers back to the very legend that defined that eternal battle, the rise of Ravan, who is also known to be lord Shiva’s parambhakt.
The upcoming track ignites a powerful clash between arrogance and devotion as the mighty Ravan crosses paths with Nandi, who is also lord Shiva’s greatest devotee and loyal gatekeeper. It is reported that actor Puneet Issar is taking on the role of Dashanan (Ravan) in the show.
Puneet Issar has spoken about mythological roles being demanding, costumes, make-up, and character preparation being time-consuming. The clash between Ravan and Nandi (sometimes depicted as gatekeeper and prime devotee of Shiva) draws on a rich mythology that highlights devotion (bhakti) and surrender, in contrast to pride.
The show uses this moment to launch the Ravan track, which deepens the story of “Shiv Shakti – Tap Tyag Tandav”.The fire of pride meets the calm of purpose, and Mount Kailash stands witness. What begins as a moment of confrontation soon spirals into a cosmic test of faith, fury, and surrender. When Ravan, returning from his conquest of Kubera’s kingdom, dares to soar his Pushpak Viman over the sacred abode of Lord Shiva and Goddess Parvati, Nandi stands in his way, echoing Shiva’s divine word.
The script for “Shiv Shakti – Tap Tyag Tandav” emphasises duty, sacrifice and separation (tap, tyag, tandav) through mythological storytelling. The production has lavish sets designed to represent Kailash, Forest, Indra Lok, etc. This adds weight to the scene described: sacred space (Mount Kailash) vs cosmic ambition (Pushpak Viman) emphasises the theme of Shiv Shakti – Tap Tyag Tandav, where devotion is tested by ego.
The use of such grand portrayal is consistent with the TV show’s high production value. The face-off between two greatest devotees of lord Shiva marks the beginning of a gripping track that unravels Ravan’s journey, his brilliance, his devotion, and his inevitable descent into ego. Puneet Issar described Ravan not simply as a villain but a mirror to human complexity: “A scholar … also known to be lord Shiva’s parambhakt … undone by his own pride”.
The show’s narrative arc for “Shiv Shakti – Tap Tyag Tandav” places Ravan’s arc in the larger cosmic story, meaning devotion (bhakti) and surrender versus pride (ahamkara) become central. The marketing of the series aimed to reconnect audiences with this mythological tradition on a large scale.
Breathing life into this monumental role of Ravan is Puneet Issar, the seasoned powerhouse performer known for his command over mythological storytelling, who brings a rare mix of grace, gravitas, and fire to Ravan. Having mastered the craft of portraying layered, larger-than-life characters, he represents Ravan as someone more than an antagonist, but a symbol of brilliance corrupted by pride.
Puneet Issar has previously been known for strong mythological/historical portrayals (for instance, his earlier role as Duryodhana; he’s spoken about how people still recognise him for that role even decades later). He also emphasised the difficulty of shooting mythological shows (lengthy preparation, heavy costumes), which underlines the ambition behind the show Shiv Shakti – Tap Tyag Tandav
Sharing his thoughts, Puneet Issar says, “I’ve lived with mythological stories all my life, and each time I return to them, I find new layers of truth. Ravan is not just a villain; he’s a paradox and a mirror to human complexity. A scholar who knew the Vedas, also known to be lord Shiva’s parambhakt and a mighty ruler undone by his own pride. Portraying him in Shiv Shakti – Tap Tyag Tandav has been both intellectually and spiritually demanding. The track that begins with Nandi is only the surface of a cosmic rollercoaster ride; it explores how power without restraint becomes self-destruction. As an actor, I’m drawn to roles that challenge me not just in performance but in perspective. Every year, when his effigy is burnt, it isn’t just the destruction of a demon; it’s the burning of our own inner vices. He’s a man who stands tall even in his fall, and that’s what makes him timeless. As an actor, it’s a journey that humbles you and consumes you at once.”
The comment aligns with the mythological interpretation of Ravan, a devout Shiva-worshipper (parambhakt), but whose ego leads to downfall. The show uses this viewpoint to deepen the character beyond a typical “villain” portrayal. This approach is in line with deeper narrative arcs in “Shiv Shakti – Tap Tyag Tandav” that focus on devotion, sacrifice and moral complexity rather than simple black-and-white good vs evil.
With Puneet’s towering screen presence and Shiv Shakti – Tap Tyag Tandav’s larger-than-life storytelling, the Ravan track promises to be one of the show’s most compelling arcs, a spectacle of philosophy, faith, and fury that reminds viewers that the war between arrogance and devotion is as eternal as the legend itself.
The show’s success in the 8 pm slot and its production values suggest this arc (Ravan’s rise, devotion, fall) is aimed at being a flagship moment for “Shiv Shakti – Tap Tyag Tandav”. The blending of philosophy (devotion vs arrogance), faith (Shiva, devotees), and fury (tandav, cosmic battle) makes the focus strong and sets it apart. The marketing strategy, including on-ground events, temple branding and influencer tie-up, shows the channel’s confidence in this mythological spectacle.
